References

Berlyne, D.E. 1971. Aesthetics and Psychobiology. New York: Appleton-Century-Crofts.
Clarke, E. (2005). Ways of Listening: An Ecological Approach to the Perception of Musical Meaning. New York: Oxford University Press.
Huron, D. 2008. Sweet Anticipation: Music and the Psychology of Expectation. Cambridge: MIT Press.
Lerdahl, F. and R. Jackendoff. 1983. A Generative Theory of Tonal Music. Cambridge: MIT Press.
Mauro, D. 2006. The Rhythmic Brain. CogSci/ICCS 2006 Proceedings. http://csjarchive.cogsci.rpi.edu/proceedings/2006/iccs/p163.pdf
Roads, C. 2001. Microsound. Cambridge: MIT Press.
Schafer, R.M. 1977. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester: Destiny Books.
Stockhausen, K. 1962. The Concept of Unity in Electronic Music. Perspectives of New Music 1(1): 39-48.
Thaut, M.H. 2005. Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications. New York: Routledge.
Windsor, W.L. 1995. A Perceptual Approach to the Description and Analysis of Acousmatic Music. City University: Unpublished doctoral dissertation.


adrian 2015-06-03