Selected references

Becker, J. (2004) Deep listeners - Music, emotion and trancing. Bloomington IN: Indiana University Press.
Hayler, R. (2014) `Liberation through a lack of interest: Jorge Boehringer on the no-audience underground'. [online]. Available from: https://radiofreemidwich.wordpress.com/2014/12/08/liberation-through-a-lack-of-interest-jorge-boehringer-on-the-no-audience-underground/link [12 December 2014].
Landy, L. (2011) `Art for Goodness(') Sake: It's your tea party and you can cry if you want to'. Proceedings of the Electroacoustic Music Studies Conference, Sforzando! New York. [online] . Available from: http://www.ems-network.org/IMG/pdf_EMS11_Landy.pdf [27 December 2014].
Neill, B. (2002) `Pleasure Beats: Rhythm and the Aesthetics of Current Electronic Music'. Leonardo Music Journal, Vol. 12, Pleasure (2002), pp. 3-6. The MIT Press. [online].
Available from: http://www.jstor.org/stable/1513341 [10 December 2014].
Small, C. (1998) Musicking - The meanings and performance of music. Middletown, Connecticut: Wesleyan University Press.
Storr, A. (1992) Music and the mind. London: Harper Collins Publishers.


adrian 2015-06-03