References

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Blacking, J. (1976) How Musical Is Man? London: Faber.
Demers, J. (2009) `Field Recording, Sound Art and Objecthood', Organised Sound vol. 14, no.1, pp. 39-45.
Emmerson, S. (2000) Music, Electronic Media and Culture. Abingdon: Ashgate.
Gallagher, Michael (2013) `Listening, Meaning and Power' in Angus Carlyle and Cathy Lane (2013), On Listening, Cornwall: Uniformbooks, pp. 41-44.
Lane, C. and Carlyle, A. (2013) In The Field: The Art of Field Recording. Cornwall: Uniformbooks.
Rennie, Tullis (2014). Socio-Sonic: An ethnographic methodology for electroacoustic composition. Organised Sound, vol. 19, no.2, pp. 117-124.
Voegelin, S. (2014) `Collateral Damage', The Wire Magazine (No. 364, June 2014) p. 16.


adrian 2015-06-03