References

Bell, Nicolas, `Sounds Heard: The Music of Hugh Davies', in Media inter Media: Essays in Honor of Claus Culver, ed. by Stephanie A. Glaser (Amsterdam and New York: Rodapi, 2009), pp. 231–44.
Davies, Hugh, `Invented Instruments and Improvisation', Avant: Jazz, Improvised and Contemporary Classical Music, Spring 1997, pp.12–15.
Davies, Hugh, Warming Up with the Iceman (Erkrath: GROB, 2000), audio CD.
Davies, Hugh, `New Musical Instruments', in Sounds Heard (Chelmsford: Soundworld, 2002), pp.31–32.
Davies, Hugh, `Seven Portable Found Instruments', in Sounds Heard (Chelmsford: Soundworld, 2002), pp.41–3.
Davies, Hugh, `My Environmental Music', in Sounds Heard (Chelmsford: Soundworld, 2002), p.48.
Davies, Hugh, `The Aims of My Musical Projects for Children', in Sounds Heard (Chelmsford: Soundworld, 2002), p.96.
Magnusson, Thor, `The Materiality of Code || Code as Literature', presented at Musical Materialities conference, Sussex, 2014.
Potter, Keith, `Hugh Davies: Iconoclastic Innovator in Electronic Music', Independent, 7 January 2005.
Roberts, David, `Hugh Davies: Instrument Maker', Contact (17, Summer 1977), pp.8–13.
Roberts, David, `Davies, Hugh (Seymour) (ii)', in New Grove Dictionary of Music and Musicians (London: Macmillan, 2001), pp.61–2.
Sorensen, Andrew and Brown, Andrew, `aa-cell in Practice: An Approach to Musical Live Coding', in Proceedings of the International Computer Music Conference, 2007.
Toplap, `About Live Coding and TOPLAP', Toplap website, 2011, http://toplap.org/about/ (accessed 28 January 2015).
adrian 2015-06-03