10-13 November 2021
Music, Technology and Innovation – Institute for Sonic Creativity (MTI2) De Montfort University (Leicester, UK)
At last – welcome to EMS21! The theme for this conference is ‘Future Directions on Electroacoustic Music Studies’. The word, future, indeed played a major role as the conference was twice postponed due to the Covid 19 pandemic and has ended up becoming a ‘mixed’ event involving people in Leicester as well as those joining online.
DMU Coordinators
Leigh Landy llandy@dmu.ac.uk
James Andean james.andean@dmu.ac.uk
Download papers:
https://zenodo.org/communities/electroacoustic-music-studies-network/?page=1&size=20
List of papers:
Voice type and speech sound type: Two analytical categories proposed for characterisation of acousmatic pieces that include vocal materials - Albornoz Alejandro
Chrónos and Kairós in electroacoustic music - Avantaggiato Massimo Vito
New Directions in Soundscape-based Sound-Art: Hybridising Autoethnography with Computational Analysis - Barrett Natasha
Electroacoustic Music as Embodied Cognition: ecological grammars, image schemas and conceptual blending in timbre and compositional structure - Brian Bridges
The Pastoral & the Acousmatic in Christina Kubisch’s Five Electrical Walks - Chaves Joseph
Inside computer music: analyzing the interaction of technology and musical creativity - Clarke Michael; Dufeu Frédéric; Manning Peter
Beauchamp’s Tenth Horse; Corwin, Reed, and Stoppard on Electroacoustic Music and Radio Sound Effects - Troy Cummings
S.O.A.P.: Making clean our compositional practice - Dawkins Bea
Acousmatic, invisible, ontology - Di Santo Jean-Louis
Memory, flux, wayfinding (in future electroacoustic music studies) - Emmerson Simon
Techniques and Terminology for the Analysis of Electroacoustic Music and More - Fabbri Fabio
Reaching out and beyond: Creating a legacy for sound-based creativity in primary schools - Holland David
Ambient Intelligence in Electroacoustic Music: Towards a Future of Self-Organising Music - Kollias Phivos-Angelos
A Listening Art - Lautour Reuben de
The canon of electroacoustic music – a possible concept? - Link Martin
Identifying modes of interaction in dance-music collaborations - Moriaty Manoli
Sound as Synthesis: technological listening and intra-faces of sound - Erik Nyström
Reconnections: Electroacoustic Music & Modular Synthesis Revival - O Connor Neil
Soundscapes for experiencing architecture in virtual reality – elements and considerations - Rudi Jøran
Representation of performance and expressive meanings in Mantra for two pianos and live electronics by Karlheinz Stockhausen - Sargenti Simonetta
Anacoustic Modes of Sound Construction: Toward a Practice - Seaback Robert
Variability and the spatial setting: emergent properties and sound relationships in acousmatic music - Seddon Ambrose
Perceptual factors contributing to the identity of sound gestures - Sven-Amin Lembke
"Once-in-a-lifetime Experience of Mind-body Transformation" with Live Electronics - Tanihara Sachi
Patterns of emergence: musical form over feedback - Thomasi Ricardo; Faria Regis R. A.
Towards a Response-able Electroacoustic Composition Practice in Search of Sympoietic Multivalence: Entangling with More-Than-Humans - Uçanok Fulya