SCHEDULE decorative dots

June 22 | June 23 | June 24 | June 25

Monday 22 June             location: Centro Cultural Borges.  
                                                  Viamonte street and San Martín street - 3rd. floor Buenos Aires.
15:00 - 16:00 Registration
16:00 - 17:45 Round table argentine Composers / Mesa Redonda Compositores Argentinos
Coordinator: Claudio Lluán.
Panelists: Francisco Kropfl, Enrique Belloc, Gabriel Valverde and Daniel Schachter.
18:00 - 18:20 Official opening / Apertura Oficial (UNTREF authorities)
18:20 - 19:30 Keynote speaker / Orador principal: Daniel Teruggi
19:30 - 20:15 Cocktail
Tuesday 23 June       location:  Centro Cultural Borges.  
                                             Viamonte street and San Martín street - 3rd. floor Buenos Aires.
Session 23-1: Music Perception and Cognition
Chair: John Young
9:15 - 9:45 Ian Stevenson: "Towards an Understanding of Confusion"
9:45 - 10:15 Raúl Minsburg: "Gestalt laws and sound simultaneity in electroacoustic music"
10:15 - 10:45 Rosemary Mountain: "Auditory Scene Analysis and Electroacoustics"
10:45 - 11:15 Coffee break
Session 23-A2: Live Electronics and Improvisation
Chair:  Daniel Schachter
Session 23-B2: Social and Cultural Approaches to Electroacoustic Music
Chair: Leigh Landy
11:15 - 11:45 Arne Eigenfeldt: "Future Intelligence in Live Electroacoustic Music" Alireza Farhang: "Electronic Music in Iran: Tradition and Modernity"
11:45 - 12:15 Garth Paine - Jon Drummond: "Developing an Ontology of New Interfaces for Realtime Electronic Music Performance" Jøran Rudi: "Welcoming change"
12:15 - 12:45   Mungo Zang Rhuibo: " – How Much Chinese Electroacoustic Music Society Will Benefit from an English-Chinese Bilingual Internet-based Collaborative Research"
12:45 - 14:15 Lunch break
Session 23-A3: Electroacoustic music with instruments
Chair: Robert Normandeau
Session 23-B3: Sound reception
Chair: Rosemary Mountain
14:15 - 14:45 Iracema de Andrade: "Temporal convergences in mixed electro-acoustic works" Lonce Wyse: "The musical significance of objects"
14:45 - 15:15 Marianela Arocha - Adina Izarra: "Relationships between instrumental music and Electronic resources in the Venezuelan repertoire of mix music" Daniel L. Barreiro: "Navigating the landscape of electroacoustic music: some considerations on the issues of referentiality and sound image"
15:15 - 15:45 Bryan Holmes: "Spectromorphology in Instrumental Music" John Young: "Narrative, Rhetoric and the Personal: Storytelling in Acousmatic Music"
15:45 - 16:15 Tea break
16:15 - 18:15 Workshop Yann Geslin: The Caspar European project
Wednesday 24 June       location:  Centro Cultural Borges.  
                                                   Viamonte street and San Martín street - 3rd. floor Buenos Aires.
Session 24-1: Musical Composition and Technology
Chair: Marc Battier
9:15 - 9:45 Flo Menezes: "New means, old meanings"
9:45 - 10:15 Edgar Barroso: "Online Compositional Tools, Synectic Strategies and Free Trade of Knowledge; a Wish List for the Future of Electroacoustic Music"
10:15 - 10:45 Daniel Schachter: "Acousmatic discourse and sound projection under the new multichannel surround formats. Past, current and future"
10:45 - 11:15 Coffe break
Session 24-A2: The Preservation of Electroacoustic Music
Chair: Tatjana Mehner
Session 24-B2: Musical Composition and Technology
Chair: Flo Menezes
11:15 - 11:45 Elizabeth Hinkle-Turner: "The Archiving and Preservation of Inter-Media Composition, Happenings and Other Significant Electroacoustic Events" David Rylands: "Concrete Abstraction: Reflections on Sound Recording for Acousmatic Composition"
11:45 - 12:15 alcides lanza: "...I saw Henri Chopin dans la rue Saint-Laurent..." Andrew Stewart: "Digital Musical Instrument Composition: Limits and Constraints"
12:15 - 12:45 Bruno Bossis: "Filmer le processus de création en électroacoustique. L’exemple des documentaires filmés des dix premières années de l’Ircam" William Brunson: "Text-Sound Composition – The Second Generation"
12:45 - 14:15 Lunch break
Session 24-3: Music and Education
Chair: Simon Emmerson
14:15 - 14:45 Theodore Lotis: "La musique “electro- autistique”. combining Pierre Schaeffer’s seven criteria with soundscape material for musical education"
14:45 - 15:15 Manuella Blackburn: "Composing from spectromorphological vocabulary: proposed application, pedagogy and metadata"
15:15 - 15:45 Claudio Lluán - Gabriel Data - Luis Tamagnini: "A theoretical and aesthetics approach to the study and practice of mixed Electroacoustic Music: a pedagogical proposal."
15:45 - 16:15 Leigh Landy: "Increasing Access to Sound-based Music – www.e-EMS"
19:00 - 20:30 Concierto - Auditorio: Obras de compositores argentinos
Thursday 25 June       location:  Centro Cultural Borges.  
                                               Viamonte street and San Martín street - 3rd. floor Buenos Aires.
Session 25-A1: Analysis in Electroacoustic Music
Chair: Daniel Teruggi
Session 25-B1: Social and Cultural Approaches to Electroacoustic Music
Chair: Bruno Bossis
9:15 - 9:45 Jorge Antunes: "La musique électroacoustique figural: chiasme, éloquence et communicabilité" Robert Normandeau: "La musique électroacoustique sur la place publique"
9:45 - 10:15 Michael Clarke: "Extending Interactive Aural Analysis: Acousmatic Music" Jorge Martínez Ulloa: "La musique “a priori” comme source d’un statut biopolitique dans la musique électroacoustique"
10:15 - 10:45 Rodrigo F. Cádiz: "A critical survey of analytical methodologies of Electroacoustic Music" Music and Representation
Jean Bresson - Carlos Agon: " Synthèse sonore et composition musicale: problématiques pour une écriture électroacoustique"
10:45 - 11:15 Margaret Schedel: "Dodge’s In Celebration: The Composition and its Analysis" Jean-Louis Di Santo: " L’acousmoscribe, un éditeur de partitions acousmatiques"
11:15 - 11:45 Coffee break
Session 25-A2: Sound and image relationship
Chair: Rodrigo Cádiz
Session 25-B2: Music Perception and Cognition
Chair: Raúl Minsburg
11:45 - 12:15 Vania Dantas Leite: "Music-Video: a new musical genre" Gary S. Kendall: "Listening to Art: Aural Cognition in Electroacoustic Music"
12:15 - 12:45 Carlos López Charles: "Transduction between Image and Sound in Compositional Processes" Michelle Stead: "Examining Intention and Reception in Electroacoustic Music: An Empirical Enquiry and Post-structural Analysis"
12:45 - 14:15 Lunch break
14:15 - 16:00 Round Table
Coordinador Legih Landy.
Panelists: Raúl Minsburg, Lonce Wyse, Fernando Iazzeta y Margaret Schedel.
16:00 - 16:30 Tea break
Session 25-3: Social and Cultural Approaches to Electroacoustic Music
Chair: Adina Izarra
16:30 - 17:00 Tatjana Böhme-Mehner: "On the Sense and Non-Sense of Talking about “Heritage” in the Study of Electroacoustic Music"
17:00 - 17:30 Andreas Engström: "An emerging field of Swedish electronic music"
17:30 - 18:00 Simon Emmerson: "Personal, local, universal – where are we?"
18:00 - 18:30 Ricardo Dal Farra: "Re-thinking the gap. Electroacoustic music in the age of virtual networking"
18:30 Closing Words