| 15:00 - 16:00 |
Registration |
| 16:00 - 17:45 |
Round table argentine Composers
/ Mesa Redonda Compositores Argentinos
Coordinator: Claudio Lluán.
Panelists: Francisco Kropfl, Enrique Belloc, Gabriel Valverde and Daniel Schachter. |
| 18:00 - 18:20 |
Official opening / Apertura Oficial (UNTREF authorities) |
| 18:20 - 19:30 |
Keynote speaker / Orador principal: Daniel Teruggi |
| 19:30 - 20:15 |
Cocktail |
Session 23-1: Music Perception and Cognition
Chair: John Young |
| 9:15 - 9:45 |
Ian Stevenson: "Towards an Understanding of Confusion" |
| 9:45 - 10:15 |
Raúl Minsburg: "Gestalt laws and sound simultaneity in electroacoustic music" |
| 10:15 - 10:45 |
Rosemary Mountain: "Auditory Scene Analysis and Electroacoustics" |
| 10:45 - 11:15 |
Coffee break |
Session 23-A2: Live Electronics and Improvisation
Location:
Chair: Daniel Schachter |
Session 23-B2: Social and Cultural Approaches to Electroacoustic Music
Location:
Chair: Leigh Landy |
| 11:15 - 11:45 |
Arne Eigenfeldt: "Future Intelligence in Live Electroacoustic Music" |
Alireza Farhang: "Electronic Music in Iran: Tradition and Modernity" |
| 11:45 - 12:15 |
Garth Paine - Jon Drummond: "Developing an Ontology of New Interfaces for Realtime Electronic Music Performance" |
Jøran Rudi: "Welcoming change" |
| 12:15 - 12:45 | |
Mungo Zang Rhuibo: "CHEARS.info – How Much Chinese Electroacoustic Music Society Will Benefit from an English-Chinese Bilingual Internet-based Collaborative Research" |
| 12:45 - 14:15 |
Lunch break |
Session 23-A3: Electroacoustic music with instruments
Location:
Chair: Robert Normandeau |
Session 23-B3: Sound reception
Location:
Chair: Rosemary Mountain |
| 14:15 - 14:45 |
Iracema de Andrade: "Temporal convergences in mixed electro-acoustic works" |
Lonce Wyse: "The musical significance of objects" |
| 14:45 - 15:15 |
Marianela Arocha - Adina Izarra: "Relationships between instrumental music and Electronic resources in the Venezuelan repertoire of mix music" |
Daniel L. Barreiro: "Navigating the landscape of electroacoustic music: some considerations on the issues of referentiality and sound image" |
| 15:15 - 15:45 |
Bryan Holmes: "Spectromorphology in Instrumental Music" |
John Young: "Narrative, Rhetoric and the Personal: Storytelling in Acousmatic Music" |
| 15:45 - 16:15 |
Tea break |
| 16:15 - 18:15 |
Workshop Yann Geslin: The Caspar European project |
Session 24-1: Musical Composition and Technology
Chair: Marc Battier |
| 9:15 - 9:45 |
Flo Menezes: "New means, old meanings" |
| 9:45 - 10:15 |
Edgar Barroso: "Online Compositional Tools, Synectic Strategies and Free Trade of Knowledge; a Wish List for the Future of Electroacoustic Music" |
| 10:15 - 10:45 |
Daniel Schachter: "Acousmatic discourse and sound projection under the new multichannel surround formats. Past, current and future" |
| 10:45 - 11:15 |
Coffe break |
Session 24-A2: The Preservation of Electroacoustic Music
Location:
Chair: Tatjana Mehner |
Session 24-B2: Musical Composition and Technology
Location:
Chair: Flo Menezes |
| 11:15 - 11:45 |
Elizabeth Hinkle-Turner: "The Archiving and Preservation of Inter-Media Composition, Happenings and Other Significant Electroacoustic Events" |
David Rylands: "Concrete Abstraction: Reflections on Sound Recording for Acousmatic Composition" |
| 11:45 - 12:15 |
alcides lanza: "...I saw Henri Chopin dans la rue Saint-Laurent..." |
Andrew Stewart: "Digital Musical Instrument Composition: Limits and Constraints" |
| 12:15 - 12:45 |
Bruno Bossis: "Filmer le processus de création en électroacoustique. L’exemple des documentaires filmés des dix premières années de l’Ircam" |
William Brunson: "Text-Sound Composition – The Second Generation" |
| 12:45 - 14:15 |
Lunch break |
Session 24-3: Music and Education
Location:
Chair: Simon Emmerson |
| 14:15 - 14:45 |
Theodore Lotis: "La musique “electro- autistique”. combining Pierre Schaeffer’s seven criteria with soundscape material for musical education" |
| 14:45 - 15:15 |
Manuella Blackburn: "Composing from spectromorphological vocabulary: proposed application, pedagogy and metadata" |
| 15:15 - 15:45 |
Claudio Lluán - Gabriel Data - Luis Tamagnini: "A theoretical and aesthetics approach to the study and practice of mixed Electroacoustic Music: a pedagogical proposal." |
| 15:45 - 16:15 |
Leigh Landy: "Increasing Access to Sound-based Music – www.e-EMS" |
| 19:00 - 20:30 |
Concierto - Auditorio: Obras de compositores argentinos |
Session 25-A1: Analysis in Electroacoustic Music
Location:
Chair: Daniel Teruggi |
Session 25-B1: Social and Cultural Approaches to Electroacoustic Music
Location:
Chair: Bruno Bossis |
| 9:15 - 9:45 |
Jorge Antunes: "La musique électroacoustique figural: chiasme, éloquence et communicabilité" |
Robert Normandeau: "La musique électroacoustique sur la place publique" |
| 9:45 - 10:15 |
Michael Clarke: "Extending Interactive Aural Analysis: Acousmatic Music" |
Jorge Martínez Ulloa: "La musique “a priori” comme source d’un statut biopolitique dans la musique électroacoustique" |
| 10:15 - 10:45 |
Rodrigo F. Cádiz: "A critical survey of analytical methodologies of Electroacoustic Music" |
Music and Representation |
| Jean Bresson - Carlos Agon: " Synthèse sonore et composition musicale: problématiques pour une écriture électroacoustique" |
| 10:45 - 11:15 |
Margaret Schedel: "Dodge’s In Celebration: The Composition and its Analysis" |
Jean-Louis Di Santo: " L’acousmoscribe, un éditeur de partitions acousmatiques" |
| 11:15 - 11:45 |
Coffee break |
Session 25-A2: Sound and image relationship
Location:
Chair: Rodrigo Cádiz |
Session 25-B2: Music Perception and Cognition
Location:
Chair: Raúl Minsburg |
| 11:45 - 12:15 |
Vania Dantas Leite: "Music-Video: a new musical genre" |
Gary S. Kendall: "Listening to Art: Aural Cognition in Electroacoustic Music" |
| 12:15 - 12:45 |
Carlos López Charles: "Transduction between Image and Sound in Compositional Processes" |
Michelle Stead: "Examining Intention and Reception in Electroacoustic Music: An Empirical Enquiry and Post-structural Analysis" |
| 12:45 - 14:15 |
Lunch break |
| 14:15 - 16:00 |
Round Table
Coordinador Legih Landy.
Panelists: Raúl Minsburg, Lonce Wyse, Fernando Iazzeta y Margaret Schedel. |
| 16:00 - 16:30 |
Tea break |
Session 25-3: Social and Cultural Approaches to Electroacoustic Music
Location:
Chair: Adina Izarra |
| 16:30 - 17:00 |
Tatjana Böhme-Mehner: "On the Sense and Non-Sense of Talking about “Heritage” in the Study of Electroacoustic Music" |
| 17:00 - 17:30 |
Andreas Engström: "An emerging field of Swedish electronic music" |
| 17:30 - 18:00 |
Simon Emmerson: "Personal, local, universal – where are we?" |
| 18:00 - 18:30 |
Ricardo Dal Farra: "Re-thinking the gap. Electroacoustic music in the age of virtual networking" |
| 18:30 |
Closing Words |
