James Andean
Electroacoustic Performance Practice in Interdisciplinary Improvisation
Alain Bonardi, Frédéric Dufeu
How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works
Michael Clarke, Frédéric Dufeu, Peter Manning
TIAALS: A New Generic Set of Tools for the Interactive Aural Analysis of Electroacoustic Music
Simon Emmerson
Rebalancing the discussion on interactivity
Benoît Gibson, Makis Solomos
Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces
Elena Hidalgo
Musical signification in acousmatic works: the case of Eduardo Polonio
Mikako Mizuno
Japanese Composers in GRM before 1970 – What did they bring to the Japanese Contemporary Music?
Mark Nerenberg
‘Structure Formation’: An Analysis of Electronic Superimpositions in Stockhausen’s Solo
Simonetta Sargenti
Interactions in a performance space: A changing landscape, an experience of an audiovisual installation