SCHEDULE 
June 21 | June 22 | June 23 | June 24
| Monday
21 June location: Shanghai Conservatory of Music |
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| 12: 00 - 15: 00 | Registration | ||
| 15: 00 - 15: 45 | Opening ceremony and Keynote address by Prof. Yang Liqing | ||
| 16: 00 - 17: 30 | Round table: Chinese Composers Chair: Xu Mengdong Panelists: Zhang Xiaofu, Ye Guohui, Liu Jian, Wu Yuebei, Wang Ning, An Chengbi, Zhao Jingwen (Taiwan), Chen Qiangbin, Mak Clarence (Hong Kong) Chair: Xu Mengdong |
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| 17: 30 - 19: 00 | Cocktail Party | ||
| 19: 30 | Chinese and overseas composers concert | ||
| Tuesday 22 June location: Shanghai Conservatory of Music | |||
| Session 22-1: Music
Analysis 1 Chair: Daniel TERUGGI |
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| 9: 00 - 9: 30 | SHAO Qing 邵青: The Sounds and Structures of Pierre Jodlowski’s Dialog/No Dialog | ||
| 9: 30 - 10: 00 | Margaret SCHEDEL: Dodge’s In Celebration: The Composition and its Analysis | ||
| 10: 00 - 10: 30 | James O'CALLAGHAN & Arne EIGENFELDT: Mixed Morphologies. Gesture transformation through electronics in the music of Kaija Saariaho | ||
| 10: 30 - 11: 00 | Coffee break | ||
| Session 22-A2: Music Analysis 2
Chair: Margaret SCHEDEL |
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| 11: 00 - 11: 30 | Bruno BOSSIS: An advanced use of PureData in the practical study of styles in electroacoustic music | ||
| 11: 30 - 12: 00 | Daniel TERUGGI: La perception des phénomènes temporels et leur utilisation dans la réception des musiques électroacoustiques | ||
| 12: 00 - 12: 30 | Qian ZHOU 周倩: The Characteristics and Organization of the Timbre-acoustics Structure - An Analysis of Kaija Saariaho’s Io | ||
| 12: 30 - 14: 00 | Lunch break | ||
| Session 22-A3: Esthetics
1 Chair: Leigh LANDY |
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| 14: 00 - 14: 30 | Marc BATTIER: The formative years of Pierre Schaeffer between philosophy, theatre and poetry | ||
| 14: 30 - 15: 00 | Sanne GROTH: Converting history to theory | ||
| 15: 00 - 15: 30 | Jia LI 李嘉: On the Characteristics of Electronic Music Composition Thinking in Acoustic Media - From Composes Who Explored in The Field of Electronic Music Creating China’s Contemporary Electroacoustic Music | ||
| 15: 30 - 16: 00 | Tea break | ||
| Session 22-A4: Esthetics
2 Chair: Yuriko KOJIMA |
Session 22-B4 Chair: LIU Jian |
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| 16: 00 - 16: 30 | Ian WHALLEY: A Framework For Expanding Electroacoutic Music Knowledge | Jiaojiao ZHOU 周佼佼: An esthetical approach to the multiple nature of electroaocoustic music | |
| 16: 30 - 17: 00 | Stephen McCOURT: "Aesthetics of Multimedia and Visual Concepts in Electroacoustic Music"; | Leah BARCLAY: "Sonic Dialects: Explorations in Intercultural Electroacoustic Music". | |
| 17: 00 - 17: 30 | Yuan ZHOU 周媛: Reflections on the emergence of electroacoustic music drawing from Ligeti's experience | Jing WANG 王晶: A Look at Real-Time Interactive Music Performance System | |
| Wednesday
23 June location: Shanghai
Conservatory of Music |
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| Session 23-A1: EMSAN
Session 1 Chair: Chunzen HUANG |
Session 23-B1 Chair: Neil ROLNICK |
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| 9: 00 - 9: 30 | Yuriko KOJIMA 小島: Meanings in Making Music: Has Composing Changed with Technology? | Theodore LOTIS: The Perception Of Illusory And Non-Identical Spaces In Acousmatic Music | |
| 9: 30 - 10: 00 | Hsien-Sheng LIEN 連憲升: WOCMAT and the New Electroacoustic Music in Taiwan | Adam BASANTA & Arne EIGENFELDT: "Perceptual analysis of gesture interaction in acousmatic music". | |
| 10: 00 - 10: 30 | Mikako MIZUNO 水野: What is the aesthetic value of live-interactive music? ------system, sound , performance | Volkmar KLIEN: Towards Automated Annotation Of Acousmatic Music | |
| 10: 30 - 11: 00 | Coffe break | ||
| Session 23-A2: EMSAN
Session 2 Chair: Taehong PARK |
Session 23-B2 Chair: Ken FIELDS |
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| 11: 00 - 11: 30 | Chunzen HUANG 黃均人: Using X-System to Structure the EMSAN-Taiwan Database: Intentions and Methodologies | John COULTER: Visual Redundancy in Electroacoustic Music With Moving Images | |
| 11: 30 - 12: 00 | Sijun LIU 刘思军: Oriental Context in China’s Electronic Music -- A Study on the Thinking Features of creating China’s Contemporary Electronic Music/td> | Peng GUAN 关鹏: Sound Object And Sound Symbol: The rational and emotional perceptions of sound in acousmatic music | |
| 12: 00 - 12: 30 | Ruibo ZHANG 张睿博: The Application of an Internationally Peer Reviewed Professional Glossary System, the ElectroAcoustic Resource Site (EARS), in China - CHEARS in Five Years | Natasha BARRETT: "Ambisonics spatialisation and spatial ontology in an acousmatic context". Sound examples (download) | |
| 12: 30 - 14: 00 | Lunch break | ||
| Session 23-A3 Chair: Ian WHALLEY |
Session 23-B3 Chair: Mikako MIZUNO |
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| 14: 00 - 14: 30 | YANG Yin 杨音: The Study on the Acoustic Sound & the Application of Audio Signal Processing in Electro-acoustic Music | Alex BENNETT: "Injecting Life into Live Electroacoustic Music: A Presentation and Analysis of Creative Work". | |
| 14: 30 - 15: 00 | Tiantian WANG 王甜甜: Artistic Characteristics of Contemporary Electronic Composition of Chinese As Reflected from "TaiYi II" and "Moo·Nui" | Mike VERNUSKY: The 21st century model of composer | |
| 15: 00 - 15: 30 | Jeff MARTIN: Electroacoustic music in middle and secondary education: Some concerns regarding curriculum development | Ken FIELDS: Experiments in Telemusic | |
| 15: 30 - 16: 00 | Tea break | ||
| Session 23-A4: Pedagogy 1 Chair: Mark BALLORA |
Session 23-B4 Chair: John COULTER |
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| 16: 00 - 16: 30 | Christian ELOY: Enseigner la composition de la musique électroacoustique, pas du tout une ligne droite … | Ching-han HSU 許景涵: Migration Music Festival: A Multicultural Sound | |
| 16: 30 - 17: 00 | Neil ROLNICK: Computer Music in the Music Curriculum | Alireza FARHANG: Modeling based on musical elements from extra-European cultures: Mixed works of Tristan Murail and Christopher Dobrian | |
| 17: 00 - 17: 30 | Pascal TERRIEN: From the appreciation to the teaching of electroacoustic music: a new didactic approach | Taehong PARK: Systematic and Quantitative Strategies for Electro-Acoustic Music Analysis: SQEMA Methodology and MIR Techniques [special session] | |
| Thursday
24 June location: Shanghai
Conservatory of Music |
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| Session 24-A1: Pedagogy
2 Chair: Ricardo DAL FARRA |
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| 9: 00 - 9: 30 | Mark BALLORA: Building A Program From Scratch: Creating A Music Technology Presence At Penn State University | ||
| 9: 30 - 10: 00 | Richard DUDAS & Jongywoo YIM: An Electronic Music Curriculum for the 21st Century | ||
| 10: 00 - 10: 30 | Bill BRUNSON: A State of Flux: From Curriculum to Course | ||
| 10: 30 - 11: 00 | Coffee break | ||
| Session 24-A2: Pedagogy
3 Chair: Bill BRUNSON |
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| 11: 00 - 11: 30 | Robert NORMANDEAU: Typology and analysis: a revision | ||
| 11: 30 - 12: 00 | Ricardo DAL FARRA: About teaching electroacoustic music and new media | ||
| 12: 00 - 12: 30 | Xiaofu ZHANG 张小夫: A Path to Exploration: the CEMC Composition Courses | ||
| 12: 30 - 14: 00 | Lunch break | ||
| 14: 00 - 14: 30 | Leigh LANDY: Educating students in electroacoustic music studies: what does this consist of and how can we best deliver it? | ||
| 14: 30 - 15: 30 | General Discussion | ||
| 15: 30 - 16: 00 | Tea break | ||
| 16: 00 - 16: 30 | Closing Ceremony | ||
| 16: 30 - 18: 00 | Coktail Party | ||
| 18: 30 | Chinese and overseas composers concert | ||