James Andean
The Future of Electroacoustic Pedagogy
César Ignacio Baca-Lobera
Approaches to Electroacoustics and Morphology: Rethinking Contacts in “La Lógica de los Sueños”
Tatjana Böhme-Mehner
Between Meaning and Meaningfulness – “Understanding” Anecdotal Music
Jean-Louis Di Santo
Referential Sounds, Symbolism and Semiotics
Frédérick Duhautpas, Renaud Meric, Makis Solomos
Expressiveness and Meaning in the Electroacoustic Music of Iannis Xenakis. The Case of "La légende d’Eer".
Simon Emmerson, Leigh Landy
The analysis of electroacoustic music, the differing needs of its genres and categories
León Enríquez
A Peircean Model for Music and Sound-Based Art: a Pragmatist Approach to Experiences in the Artistic Use of Sound
Kerry L. Hagan
Different Walks for Different Talks: Finding the Meaningful in Electroacoustic Music
Hubert Howe
Reality and Unreality in the Interpretation of Electroacoustic Music
Terri Hron
Exploring the Nexus of Collaboration, Notation and Meaning in Mixed Electroacoustic Music
Andrew Lewis, Xenia Pestova
The audible and the physical: a gestural typology for ‘mixed’ electronic music
Nicolas Marty
Sonic Identification and Listening Strategies Towards a ‘Natural’ Narratology for Electroacoustic Musics
Andra McCartney
Meaningful Listening through Soundwalks
James O’Callaghan
Mediated Mimesis: Transcription as Processing
Mikko Ojanen, Kai Lassfolk
Material tape as a piece of art: case studies of an inconstant work-concept in Erkki Kurenniemi’s electroacoustic music
Peter Rothbart
Ethno-Electro – A Framework for Examining Cultural Influences In Electroacoustic Music
Simonetta Sargenti
Gesture and Sound Analysis: Virtual Instruments for an Interactive Composition
Nasia Therapontos
Sound-based music curriculum. Finding the meaning and meaningfulness of sound
Lasse Thoresen
Exosemantic Analysis Analysis Of Music-As-Heard
Pierre Alexandre Tremblay
Mixing the Immiscible: Improvisation within Fixed-Media Composition