Manuella Blackburn
Importing the Sonic Souvenir: issues of cross-cultural composition
Per Bloland
The Electromagnetically-Prepared Piano and its Compositional Implications
Bruno Bossis
Electroacoustic music: from sounds of the world to a poetics of unity
Michael T. Bullock
The Material of Time: Understanding Electroacoustic Improvised Music
Tatjana Böhme-Mehner
The Sound of Silence Paradox: How to deal with the Non-Sounding in the Study of Electroacoustic Music
Jean-Louis Di Santo
Harmonic profile: typology and notation
Lee Fraser
Associative and Investigative Processing: Listening Behaviours in the Acousmatic Arena
Elizabeth Hoffman
Contemporary Electroacoustic Music’s Discourse: Considering chosen aesthetic languages as socio-cultural interventions
Gary Kendall
Bridging a Shamanic Worldview and Electroacoustic Art
Marinos Koutsomichalis
Site Specific Live Electronic Music: A Sound-Artist’s Perspective
Leigh Landy
Art for Goodness(’) Sake: It’s your tea party and you can cry if you want to - Keynote Address
Hugh Lynch, Robert Sazdov
An Investigation Into Compositional Techniques Utilized For The Three-Dimensional Spatialization Of Electroacoustic Music
Mikako Mizuno
Alternative Perspective towards Japanese History of Electronic Music Live Electronics in Early vs Latest Days
Jøran Rudi, Jamie Bullock
The Integra Project