EMS18 - Electroacoustic Music: is it still a form of experimental music? - Florence

Felipe de Almeida Ribeiro
Musings on the Democratic Potential of Fixed-Media electroacoustic music

James Andean
Questioning the ’Experimental’: Electroacoustic Improvisation as ’Experimental’ case study

Eraldo Bocca, Dante Tanzi
Showing the acousmatic sounds through the mobile acousmonium AUDIOR

Joe Cantrell
The Timbre of Trash: Rejecting Obsolescence Through Collaborative New Materialist Sound Production

Daniela Fantechi
Systema Naturae, by Andrea Valle and Mauro Lanza, experimentation as starting point of a piece of “acoustic computer music”

Katt Hernandez
Travels through the Electronic Music Timescape

Florence Lethurgez
What is communicating for an electroacoustic music composer?

Marcelo Carneiro de Lima
What was Left From Experimentation? A Discussion on the current role of Electroacoustic Music to the New Generation of Sonic Artists in Brazil

Eric Maestri
The Fourth Phase of Electroacoustic Music and the Intimate Transformation of the Sonic Experience

Andreia Nogueira
Examining the future of born-digital musical works. A survey on Portuguese composers’ preservation practices

Jean Penny, Andrew Blackburn
Cultures, Chance, Electroacoustic Spaces: Exploring performance aspects of Cage’s ________, ________ ________ CIRCUS ON ________.

Luisa Santacesaria
TRK. SOUND CLUB: a case of experimental music concert season