Kevin Austin
Analysis in Electroacoustic Studies
Marc Battier
Some aspects of research on the San Francisco Tape Music Center and the contribution of Donald Buchla
Andreas Bergsland
From maximal to minimal voice - concepts for evaluating vocal sounds in electroacoustic music
Leslie David Blasius
Electroacoustic music and its doubles
Hannah Bosma
Documentation and publication of electroacoustic compositions at NEAR
Bruno Bossis
Analysis of electroacoustic musics: from sources to invariants
Joel Chadabe
Writing History and Preservation
John Coulter
Multimedia Composition As Research
Pierre Couprie
(Re)présentation de la musique électroacoustique
Ricardo Dal Farra
Something lost, something hide, something found: The Latin American Electroacoustic Music Collection
Francis Dhomont
Quelques préalables aux fondements théoriques des musiques électroacoustiques
Francis Dhomont
Conférence d’ouverture
Simon Emmerson
In what form can‘live electronic music’ live on?
Barbara Fox
Schaeffer Stands His Ground: Orfée 53 and Evocative Sound
Koichi Fujii
Analysis of Early Electroacoustic Music of Japan: In search for systematic analytical methodology
Diego Garro
A Glow on Pythagora’s Curtain. A Composer’s Perspective On Electroacoustic Music with Video
Evelyne Gayou
Transcribing the listening of electroacoustic music
Anastasia Georgaki
Reinventing Greek electroacoustic music: from tradition to multidisciplinarity
Robert Gluck
Towards An International History of Electroacoustic Music: Some Preliminary
Rolf Inge Godøy
Gestural Sonorous Objects: Re-thinking Schaeffer’s Typo-morphological concepts
Kerry Hagan
Genetic Analysis of Xenakis’ Analogique B
Anna-Marie Higgins & Kevin Jennings
From Peering in the Window to Opening the Door: A Constructivist Approach to Making Electroacoustic Music Accessible to Young Listeners
Randolph Jordan
Cause and Effect: Cinema and the Tradition of Acousmatic Sound
Gary S. Kendall
La juxtaposition et le non-mouvement : Varèse jette un pont entre le modernisme et la musique électroacoustique
Philippe Lalitte
Contrariety, contradiction and complementarity in the relations between instrumental and electronics in the 20th electroacoustic music
Leigh Landy & Rob Weale
Discovering How Accessible Electroacoustic Music Can Be: The Intention/Reception Project
Rosemary Mountain
The Interactive Multimedia Thesaurus & Playroom
David Ogborn
“When they are dying, men sing...”: Nono’s Diario Polacco n. 2
John Richards
Getting beyond the Medium
Dante Tanzi
Musical objects and digital domains
Daniel Teruggi
Building an International network to preserve Electroacoustic heritage, a challenge for a community
Doug Van Nort
The Contemporary Production of Noise and the Role of the System
Simon Waters
Making the archive and archiving the making: Insights and outcomes from a major research project
John Young
Sound in Structure: Applying Spectromorphological Concepts
Laura Zattra
The identity of musical work : makers and processes of the electro-acoustic music