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EMS Proceedings and Other Publications: All articles by authors

Adkins Mathew

Schaeffer est Mort! Long live Schaeffer!

Adkins Monty, Adams Tom

Digital Music, Digital Distribution

Akkermann Miriam

Beyond practice? Tracing cultural preferences in mixed music performances
Computer Network Music Approximation to a far-scattered history

Albornoz Alejandro

Computer Music in Chile: The Beginning and some Paths to Nowadays – An historical review

Almeida Ribeiro Felipe de

Musings on the Democratic Potential of Fixed-Media electroacoustic music

Amelides Panos

Universalising the acousmatics: storytelling and culture-specific works

Andean James

Electroacoustic Performance Practice in Interdisciplinary Improvisation
Questioning the ’Experimental’: Electroacoustic Improvisation as ’Experimental’ case study
The Future of Electroacoustic Pedagogy
Towards a Narratology of Acousmatic Music

Anderson Elizabeth L.

Materials, Meaning and Metaphor : Unveiling Spatio-Temporal Pertinences in Acousmatic Music

Aska Alyssa

The displacement of agency and sound source in electroacoustic music as compositional approach in works including live performers

Atkinson Simon

Interpretation and musical signification in acousmatic listening

Atkinson Simon, Francksen Kerry

Ultra-sensing : moving beyond ‘work’ and ‘venue’ in intermedia art

Austin Kevin

Analysis in Electroacoustic Studies

Avantaggiato Massimo

Donatoni: a critical re-appraisal of Quartetto III

Avantaggiato Massimo Vito

The Visible and the Invisible

Baca-Lobera César Ignacio

Approaches to Electroacoustics and Morphology: Rethinking Contacts in “La Lógica de los Sueños”

Ballora Mark

Teaching Electroacoustic Music: Issues of History, Context, Pedagogy, and Student Expectation

Bandt Ros

Documenting the difficult and ephemeral, a web approach to the documentation of interactive electroacoustic sound designs in Australia

Baroni Nicola, Benzi Carlo

Sound Gesture and Rhetoric. Hyper-cello as an Algorithmic Composer

Basanta Adam, Eigenfeldt Arne

Typological Analysis of Gesture Interaction in Acousmatic Music

Batchelor Peter

Really hearing the thing: an investigation of the creative possibilities of trompe l’oreille and the fabrication of aural landscapes

Battier Marc

Pour une analyse constructiviste des musiques électroacoustiques et des techniques d’écriture de la technologie
Some aspects of research on the San Francisco Tape Music Center and the contribution of Donald Buchla
What’s in a name? The naming of new forms of music in the twentieth century

Battista Alba Francesca

New dimensions of musical enjoyment. The Analysis problem: Luc Ferrari through the Aesthesic-Cognitive Method

Berezan David

Flux: Live-Acousmatic Performance and Composition

Bergsland Andreas

From maximal to minimal voice - concepts for evaluating vocal sounds in electroacoustic music

Blackburn Andrew

The representation of the electronics in a musique-mixte environment: analysing some ontological and semiotic solutions for performance

Blackburn Manuella

Importing the Sonic Souvenir: issues of cross-cultural composition
Other people’s sounds: examples and implications of borrowed audio

Blasius Leslie David

Electroacoustic music and its doubles

Bloland Per

The Electromagnetically-Prepared Piano and its Compositional Implications

Bocca Eraldo

Showing the acousmatic sounds through the mobile acousmonium AUDIOR

Bonardi Alain, Dufeu Frédéric

How Can We Model Behaviours of Digital Instruments? Propositions in fuzzy logic from Philippe Manoury’s works

Bosma Hannah

Documentation and publication of electroacoustic compositions at NEAR
Playing Loudspeakers, Unsettling Concerts. Gender and Performance in Interdisciplinary Electroacoustic Music

Bossis Bruno

Analysis of electroacoustic musics: from sources to invariants
Des index aux bases de connaissances : prospection sémantique pour une musicologie de l’électroacoustique
Electroacoustic music: from sounds of the world to a poetics of unity
Some reflexions on analysis of the artificial vocality: representations, tools and prospective

Brech Martha

Composed Space in Luigi Nono’s Live-Electronic Composition Prometeo

Bullock Michael T.

The Material of Time: Understanding Electroacoustic Improvised Music

Böhme-Mehner Tatjana

Between Meaning and Meaningfulness – “Understanding” Anecdotal Music
Language as Material – Language as Communication: “Words” and “Texts” in Electroacoustic Music
Reproduction par traduction : Préjugés, Connotations, Images
Searching for Safety: The concert listener beyond the limits of the concert hall
The Sound of Silence Paradox: How to deal with the Non-Sounding in the Study of Electroacoustic Music

Cantrell Joe

The Timbre of Trash: Rejecting Obsolescence Through Collaborative New Materialist Sound Production

Carpentier Olivier

Machine Versus Instrument - Debates about the first Electronic Organ 1930-1935

Chadabe Joel

Electronic Music and Life
Writing History and Preservation

Chattah Juan

Klang, Kar, und Melodie: a Crash Course on Musical Narrative

Chemillier Marc

For a multimedia writing of ethnomusicology

Chittum John

Synthesis of Performer and Instrument, Analytical Issues in Interactive Multimedia and Christopher Burns’ “Sawtooth”

Cholleton Jean-Pierre

Computer tool and compositional process : some aspects of the music of Magnus Lindberg

Chouvel Jean-Marc

L’analyse musicale différentielle : principes, représentation et application à l’analyse de l’interprétation

Ciglar Miha

I.B.R. Variation 3

Clarke Michael, Dufeu Frédéric, Manning Peter

Barry Truax Riverrun (1986/2004), a case study from the TaCEM project, exploring new approaches to techniques of analysis and re-synthesis in the study of concert electroacoustic works
TIAALS: A New Generic Set of Tools for the Interactive Aural Analysis of Electroacoustic Music

Collins Nick

Analysis of Generative Music

Connors Teresa Marie

Bringing Forth a World: Sound and Audiovisual Installation as a Process of Cognition

Corral Jeremy

On the difficulty to consider as a continuity the production of the NHK electronic music studio

Coulter John

Multimedia Composition As Research
The Language of Electroacoustic Music

Couprie Pierre

(Re)présentation de la musique électroacoustique
Dessin 3 D et système immersif pour la représentation de la musique électroacoustique

Couture Ariane

L’hybride est-il un paramètre musical ? Une analyse de la vidéomusique Spin (1999-2002) de Jean Piché

Criticalartware

Likn: A Flexible Platform for Information and Metadata Exchange

Cuevas Pablo

Memory. An Approach for Decentring the Historiography of Electroacoustic Music

Czolbe Fabian

Klangkunst goes mobile

Dack John

Acoulogie: an answer to Lévi-Strauss?
Pousseur’s Huit Etudes Paraboliques: Musical and Social Contexts
Translating Pierre Schaeffer: Symbolism, Literature and Music

Dal Farra Ricardo

Something lost, something hide, something found: The Latin American Electroacoustic Music Collection
Surviving the impossible. Facing the future, understanding our past. Some recent actions to preserve, document and disseminate electroacoustic music by Latin American composers

Delalande François

Space Transcription

Dhomont Francis

Conférence d’ouverture
Quelques préalables aux fondements théoriques des musiques électroacoustiques

Di Santo Jean Louis

Proposition de terminologie structurée pour l’analyse et la composition musicales. Représentation et notation symboliques de la musique électroacoustique champs voisins : sémiotique et linguistique

Di Santo Jean-Louis

Analysis of Incidences,résonances by Bernard Parmegiani with an acousmatic score (acousmoscribe)
Harmonic profile: typology and notation
Referential Sounds, Symbolism and Semiotics
Six Japanese gardens by K. Saariaho: eastern and western temporalities

Dufeu Frédéric

Electroacoustic Music and Popular Culture Interacting: Aesthetic and musicological implications of GRM Experience by Christian Fennesz, Mika Vainio and Christian Zanési

Dufeu Frédéric, Bonardi Alain

Analysing the Creative Process through a Modelling of Tools and Methods for Composition in Hans Tutschku’s Entwurzelt

Duhautpas Frédérick, Meric Renaud, Solomos Makis

Expressiveness and Meaning in the Electroacoustic Music of Iannis Xenakis. The Case of "La légende d’Eer".

Döbereiner Luc

How to Think Sound in Itself? Towards a Materialist Dialectic of Sound

Eigenfeldt Arne

Real-time Composition or Computer Improvisation? A composer’s search for intelligent tools in interactive computer music

Einbond Aaron

Composer as Curator: Uncreativity in recent electroacoustic music

Eloy Christian

Teaching composition in electroacoustic music, not exactly a straight line… but, a true musical and human adventure

Emmerson Simon

‘Where next? New music, new musicology’
Appropriation, Exchange, Understanding
Electroacoustic Music before Language
In what form can‘live electronic music’ live on?
Listening in time and over time – the construction of the electroacoustic musical experience
Rebalancing the discussion on interactivity

Emmerson Simon, Landy Leigh

The analysis of electroacoustic music, the differing needs of its genres and categories

Enríquez León

A Peircean Model for Music and Sound-Based Art: a Pragmatist Approach to Experiences in the Artistic Use of Sound

Escande Marin

The tape music of Jikken Kôbô 実験工房 (Experimental Workshop): Characteristics and specificities in the 1950s

Evans Brian

The Graphic Design of Musical Structure: Scores for Listeners: Incantation and Mortuos Plango,Vivos Voco

Fantechi Daniela

Systema Naturae, by Andrea Valle and Mauro Lanza, experimentation as starting point of a piece of “acoustic computer music”

Fenerich Alexandre Sperandéo, Obici Giuliano

Symphonie pour un Homme Seul – de-acousmatized (SPUHS-d)

Ferrari Giordano

La naissance de l’univers sonore de Pierre Schaeffer : "La Coquille à Planète"

Fields Kenneth

Electronic Music Terminology: Translation, Ontology, Knowledge Base

Fischman Rajmil

‘Mimetic Space’: A conceptual framework for the discussion analysis and creation of mimetic discourse and structure

Flašar Martin

Standing on the river bank: Electroacoustic music between tradition and innovation

Forcucci Luca

Touching the Audience

Fox Barbara

Schaeffer Stands His Ground: Orfée 53 and Evocative Sound

Frasch Heather

(Re-)Contextualizing Meaning with Physical and Sonic Objects in the Work of Hanna Hartman

Fraser Lee

Associative and Investigative Processing: Listening Behaviours in the Acousmatic Arena

Frisius Rudolf

"Form und Struktur" Different aspects of analyzing electroacoustic music: Analysis of the compositional process - analysis of the audible result

Fujii Koichi

Analysis of Early Electroacoustic Music of Japan: In search for systematic analytical methodology
Chronology of Early Electroacoustic Music in Japan : What Types of Source Materials are Available ?

Gallet Bastien

De l’objet au processus : essai sur les catégories de la pensée électroacoustique

Garcia-Valenzuela Pablo

Temporal Forces in Electroacoustic Music

Garro Diego

A Glow on Pythagora’s Curtain. A Composer’s Perspective On Electroacoustic Music with Video
From ‘concert’ to ‘screening’: visual anecdotes in Electroacoustic Music presentations

Gatt Michael

The Online Repository for Electroacoustic Analysis project – a community approach to electroacoustic music analysis

Gayou Evelyne

Transcribing the listening of electroacoustic music

Georgaki Anastasia

Reinventing Greek electroacoustic music: from tradition to multidisciplinarity

Geslin Yann

Electroacoustic music: which natures and levels of representations?
La, les musique(s) électroacoustique(s) : territoires et cartes, les enjeux d’un répertoire.

Gibson Benoît, Solomos Makis

Research on the First Musique Concrète: The Case of Xenakis’s First Electroacoustic Pieces

Gluck Robert

Educating International Composers: The Columbia-Princeton Electronic Music Center
Towards An International History of Electroacoustic Music: Some Preliminary

Godøy Rolf Inge

Gestural Sonorous Objects: Re-thinking Schaeffer’s Typo-morphological concepts

Gorkom Marij van

Crafting the patch: Composer-performer collaboration at the interface between experimentation and skill

Green Owen

Four Small LLEAPPs for Electroacoustic Music Studies: Notes on performance strategies from a series of participatory electronic music workshops

Green Owen, Pierre Alexandre Tremblay, Gerard Roma

Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

Groth Krogh Sanne

Communicating EAM: Aesthetics vs. rhetoric

Guerrasio Francesca

L’approche de l’écologie sonore par Salvatore Sciarrino dans Lohengrin II, dessin pour un jardin sonore

Hagan Kerry

Genetic Analysis of Xenakis’ Analogique B

Hagan Kerry L.

Different Walks for Different Talks: Finding the Meaningful in Electroacoustic Music
How Live is Real-Time ?

Hasnizam Abdul Wahid

Recent Experiment and Emerging Works at the Faculty of Applied and Creative Arts, Universiti Malaysia Sarawak – The Integration and an Experiment of a Traditional Wayang Kulit Performances and Electroacoustic Music

Haworth Christopher

Ecosystem or Technical System? Technologically-Mediated Performance and the Music of The Hub
Participation Over Belonging: Analysing Microsound Using Digital Methods

Hernandez Katt

Psychogeography and Psycho-sonic Cartography: The creation of Ephemeral Place through Electroacoustic Music
Travels through the Electronic Music Timescape

Hidalgo Elena

Musical signification in acousmatic works: the case of Eduardo Polonio

Hinkle-Turner Elizabeth

Hear Me Now: The implication and significance of the female composer’s voice as sound source in her electroacoustic music

Hoffman Elizabeth

Contemporary Electroacoustic Music’s Discourse: Considering chosen aesthetic languages as socio-cultural interventions

Howe Hubert

Reality and Unreality in the Interpretation of Electroacoustic Music

Hron Terri

Between the stage and the gallery: objects and spaces in three works by Canadian sound artists
Exploring the Nexus of Collaboration, Notation and Meaning in Mixed Electroacoustic Music

Ishii Hiromi

Finding Rules in Shakuhachi Timbre and Applying Them to Structure Music: Composition for shakuhachi and live electronics ‘Kaze no Michi’ (Wind Way)

Jordan Randolph

Cause and Effect: Cinema and the Tradition of Acousmatic Sound

Kalodiki Georgia

Interactive Performance Systems Conceptual interacting strategies in forming electroacoustic sound identities

Kendall Gary

Bridging a Shamanic Worldview and Electroacoustic Art

Kendall Gary S.

La juxtaposition et le non-mouvement : Varèse jette un pont entre le modernisme et la musique électroacoustique

Klien Volkmar, Grill Thomas, Flexer Arthur

Towards Automated Annotation of Acousmatic Music

Kojima Yuriko Hase

Masahiro Miwa’s “Gesänge des Ostens”: Intersection of Technology and Tradition
Meanings in Making Music: Has Composing Changed with Technology?

Koutsomichalis Marinos

Site Specific Live Electronic Music: A Sound-Artist’s Perspective

Lacroix Mathieu

Deux Ex Machina: Methods, Processes and Analysis of Mixed Music

Lalitte Phillipe

Contrariety, contradiction and complementarity in the relations between instrumental and electronics in the 20th electroacoustic music

Landy Leigh

Art for Goodness(’) Sake: It’s your tea party and you can cry if you want to - Keynote Address
Découvrir de quelle façon la musique électrocoustique peut être accessible : le projet de l’intention et de la réception
Educating students in electroacoustic music studies: What does this consist of and how can we best deliver it?
Electroacoustic Music Studies and Accepted Terminology: You can’t have one without the other
The ElectroAcoustic Resource Site (EARS) approaches its next phase: going global and addressing the young

Leroux Philippe

Analytic procedures in composition

Lethurgez Florence

Read music at the concert: program notes of electroacoustic music composers
What is communicating for an electroacoustic music composer?
Words on Words: Interviews with electroacoustic music composers about the written presentation of their works

Lewis Andrew, Pestova Xenia

The audible and the physical: a gestural typology for ‘mixed’ electronic music

Li Jia

On the Characteristics of Electronic Music Composition Thinking in Acoustic Media - From Composes Who Explored in The Field of Electronic Music Creating China’s Contemporary Electroacoustic Music

Lima Marcelo Carneiro de

What was Left From Experimentation? A Discussion on the current role of Electroacoustic Music to the New Generation of Sonic Artists in Brazil

Link Martin

Immediate constituent analysis as a future model of electroacoustic music theory
Thema Omaggio a Joyce – Expression as a meaning

Liu Chenhan

Overview of Types and Researches of Data Controllers in Interactive Electronic Music

Loizillon Guillaume

Synthèse sonore et musiques électroacoustiques: une phenomenologie du sonore

Lotis Theodoros

The Concept of Textural Value. Adopting Terminology from the Theory of Light

Lupone Michelangelo

Space: A Constructive Domain of the Language of Music

Lynch Hugh, Sazdov Robert

An Investigation Into Compositional Techniques Utilized For The Three-Dimensional Spatialization Of Electroacoustic Music

Lyon Eric

Do We Still Need "Computer Music"?

Madsen Pamela

The Influence of Technology on Composer’s Creative Thought: The Music of Brian Ferneyhough

Maestri Eric

The Fourth Phase of Electroacoustic Music and the Intimate Transformation of the Sonic Experience

Magalhães Filipa

A proposal of analysis for music-theatre works with electroacoustic. The case of Double by Constança Capdeville

Martin Jeffrey

Electroacoustic music in middle and secondary education: Some concerns regarding curriculum development

Marty Nicolas

Conceptual Intentions as a Basis for Listening to Acousmatic Music
Sonic Identification and Listening Strategies Towards a ‘Natural’ Narratology for Electroacoustic Musics

McCartney Andra

Meaningful Listening through Soundwalks

McCourt Stephen

Aesthetics of Multimedia and Visual Concepts in Electroacoustic Music

McKinnon Dugal

The Acousmatic and the Language of the Technological Sublime

Merlier Bertrand

Vocabulaire de l’espace et de la spatialisation des musiques électroacoustiques : présentation, problématique et taxinomie de l’espace

Mikawa Makoto

Aesthetic Meaning of Mixed-Media and Intercultural Composition: Water Music (1960) by Tôru Takemitsu and Hisao Kanze

Mizuno Mikako

Alternative Perspective towards Japanese History of Electronic Music Live Electronics in Early vs Latest Days
Japanese Composers in GRM before 1970 – What did they bring to the Japanese Contemporary Music?
Sound Arts, Sound Performance and Sonic Arts – Alternative Presence of Japanese Electroacoustic Music

Momiyama Yoko

Acoustic Expression of Japanese Special Morae in Singing from the Viewpoint of Word-Setting and Reflection for Electroacoustic Music

Mooney James

Hugh Davies’s Electronic Music Documentation 1961–8

Morita Satoshi

Sonic art for intersensory listening experience

Morrison Landon

Graphical Music Representations: A Comparative Study Based on the Aural Analysis of Philippe Leroux’s M.É.

Mountain Rosemary

The Interactive Multimedia Thesaurus & Playroom
Theories market : open for trading

Nerenberg Mark

‘Structure Formation’: An Analysis of Electronic Superimpositions in Stockhausen’s Solo

Nilsson Per Anders

Control or Play?
Notions of Experiments in EAM

Nogueira Andreia

Examining the future of born-digital musical works. A survey on Portuguese composers’ preservation practices

Norman Katharine

Where are we Listening? and What are We Listening To?

Normandeau Robert

A revision of the TARTYP published by Pierre Schaeffer

Núñez Adolfo

Toward a Listening Based Taxonomy for Live Electronic Processing of Sound. Case study: Works produced at LIEM

O’Callaghan James

Mediated Mimesis: Transcription as Processing

Ogborn David

“When they are dying, men sing...”: Nono’s Diario Polacco n. 2

Ojanen Mikko

Electroacoustic concert and happening performances of the ‘60s and early ‘70s in Finland

Ojanen Mikko, Lassfolk Kai

Material tape as a piece of art: case studies of an inconstant work-concept in Erkki Kurenniemi’s electroacoustic music

Otondo Felipe

Recent Spatialisation Trends in Electroacoustic Music

Patton Kevin

Morphological Notation for Interactive Electro-Acoustic Music

Payri Blas

Auditory scene analysis and sound source coherence as a frame for the perceptual study of electroacoustic music language

Penny Jean

(Re)notating cultural identities through musique-mixte: A reflection of heterotopian constructs in performance

Penny Jean, Andrew Blackburn

Cultures, Chance, Electroacoustic Spaces: Exploring performance aspects of Cage’s ________, ________ ________ CIRCUS ON ________.

Pottier Laurent

Analysis of "Kernel", a piece by Kasper T. Toeplitz

Puckette Miller

The Deadly Embrace Between Music Software and Its Users

Qi Mengjie

Network Music Performance over IPv6: Two Years CERNET2 Project to Create a Large Scale Piece

Ramel Sylvie

La conservation, restauration des instruments de musiques électroacoustique au Musée de la musique

Rennie Tullis

Recording, Representation & Responsibility: questions of authorship and agency when field recording for electroacoustic composition

Richards John

Getting beyond the Medium

Risse Michel

À la recherche d’une genèse du son musical électronique : Les rapports entretenus entre musique et télécommunications avant 1900

Romero Porras Judith

Murmullos del Páramo: rethinking Julio Estrada’s opera through Zeami’s theater Nô aesthetics

Rothbart Peter

Ethno-Electro – A Framework for Examining Cultural Influences In Electroacoustic Music

Rudi Jøran, Bullock Jamie

The Integra Project

Rudy Paul

Three requiems and a dream: The language of electroacoustic sound in film By Paul Rudy

Ruibo Zhang, Fields Kenneth

CHEARS: China Electroacoustic Resource Survey

Sakellariou Yiorgis

What’s really going on here?

Santacesaria Luisa

Switch by Benjamin Thigpen and Darren Copeland: a hybrid case of electro-acoustic live performance work
TRK. SOUND CLUB: a case of experimental music concert season

Sargenti Simonetta

An example of evolution in electroacoustic music performance: Stockhausen’s Solo and the creation of a soundscape
Analysis of electroacoustic and interactive music works: Solo by Karlheinz Stockhausen, an example of performance analysis
Dramaturgy of sound, mobile sound and digital garden as grounding concepts of multimedia works
Gesture and Sound Analysis: Virtual Instruments for an Interactive Composition
Interactions in a performance space: A changing landscape, an experience of an audiovisual installation
Listening and analyzing electroacoustic music: sound analysis, gesture and communication of emotions

Seddon Ambrose

Recurrence in Acousmatic Music: Creative and Analytical Possibilities

Shao Qing

A Primary Research to Sound Organization and Structure of Dialog/ No Dialog by Pierre Jodlowski

Shimano-Bardai Aya

Terminological discourses in the field of sound art

Shiono Eiko

The role of the performer in the elctroacoustic music – around the mixed music and the real-time elctronic music –

Solomos Makis

Analysis of "Orient-Occident" by Iannis Xenakis

Steven Naylor

Sound Design and Electroacoustic Music: Practices or Perspectives?

Stiegler Bernard

Analysis, grammatization and organology

Taher Cecilia

The Unity of Opposites: Jonathan Harvey’s Advaya for cello and electronics

Tan Anthony

Timbre as Vertical Process: Attempting a Perceptually Informed Functionality of Timbre

Tanzi Dante

Information technology and communication of musical experience : categories, conflicts, et intersections
Musical objects and digital domains
The Role of Behaviour in the Analysis of Electroacoustic Music

Teglia Elisa

Les langages de la production électroacoustique du Studio di fonologia musicale de Milan

Terrien Pascal

De la composition à la réception, une identité de sens et de signification / From Composition to Reception, Identicality of Meaning and Significance

Teruggi Daniel

Building an International network to preserve Electroacoustic heritage, a challenge for a community
Des projets documentaires autour de l’électroacoustique, comment avancer sans les moyens indispensables

Therapontos Nasia

Sound-based music curriculum. Finding the meaning and meaningfulness of sound

Thoresen Lasse

Exosemantic Analysis Analysis Of Music-As-Heard
Spectromorphological Analysis of Sound Objects

Tienaho Noora

Adorno and Electronic Music

Tissot Gaël

Analyse de la densité événementielle: une approche de la perception temporelle dans ‘Kontakte’ de K. Stockhausen

Toro Pérez Germán Toro Pérez, Bennett Lucas

Spatial concepts and performance practice. On the impact of evolving sound diffusion standards on electroacoustic music

Tremblay Pierre Alexandre

Mixing the Immiscible: Improvisation within Fixed-Media Composition

Truax Barry

Electroacoustic Music of Extended Duration: A Question of Format

Tsabary Eldad

Aural atoms and structures: From electroacoustic ear training to analysis and back again

Urbiks Jan, Anna-Lena Vogt, Martha Brech

Analysing Experimental Techno

Valle Andrea

A typological space for representing collections of sound objects

Van Nort Doug

The Contemporary Production of Noise and the Role of the System

Veitl Anne

Mémoire et Histoire des musiques électroacoustiques : les projets de l’Observatoire Tscimuse (France, Grenoble)

Viel Nicolas

Pierre Barbaud et la naissance de la musique par ordinateur en France : de la cybernétique à l’algorithmique

Wahid Hasnizam Abdul

Electroacoustic Music Studies - Some Thoughts and Possibilitie

Wanke Riccardo

A cross-genre analysis of the (ec)static music

Waschbüsch Viviane

The influence of Tibetan Buddhism in the work of Eliane Radigue
The stance of German “New Simplicity” composers on sound art

Waters Simon

Making the archive and archiving the making: Insights and outcomes from a major research project
Performance Ecosystems: Ecological approaches to musical interaction

Weale Rob

Mapping perception1 across the communicative continuum as a prelude to analysis

Yang Wanjun, Zhang Xiyue

The culture characteristics under oriental context of chinese electronic music composition – take two pieces by Lu Minjie as examples

Yoshida Reiko

Musique concrète and dance: Pierre Henry’s collaboration with Maurice Béjart

Young John

Sound in Structure: Applying Spectromorphological Concepts
Sound morphology and the articulation of structure in electroacoustic music

Young Michael

Au(or)a: Exploring Attributes of a Live Algorithm

Zattra Laura

A la recherche des données perdues. Esquisse d’analyse esthésique-poïétique
The critical editing of computer music
The identity of musical work : makers and processes of the electro-acoustic music

Zavada Ivan, Keaveny Dale

The Xenophone, an electroacoustic representation of intercultural communication trends on social media

Zhao Bai

Heritage of Gérard Grisey in China